The building is a peculiar collection of classically columned frontage,
bolted on additions and fragmented satellite buildings of different eras.
Inside, the magnificent wrought iron gates, and suicidal spiral staircases lead
up to the gallery of the Main Hall ... in itself an amazing horseshoe shaped
amphitheatre which also challenges one's limits of vertigo immunity.
According to Abel Heywood's Penny Guide of 1867, the foundation stone of this
elegant and flourishing institution was laid by Lord Brougham in 1835. It cost
£15,000. It has a central projection consisting of a fine cornice, supported by
four columns in the Ionic order. It has a School of Art attached to it - builder
A. H. Holme (probably related to the active and rich Liverpool firm of brothers
James & Samuel Holme) as having designed a front of "bold & massive
effect" (Memorials of Liverpool, V 2., p.258) and more recently Quentin Hughes'
magnificent new book: Liverpool City of Architecture as "somewhat heavy
handed but noble and in keeping with the Georgian environs". (p.50) (Thanks
to Graham Ride and Iain Taylor for these gems).
Alterations to the Building
1835 July 20th Foundation stone laid.
1837 March 30th Fire.
'' Sept 15th Opening ceremony
1839 Sculpture gallery built
1840 Three storeys of the western wing completed
1843 Organ built behind the lecture hall
Chemical laboratory behind the lecture hall enlarged
1859 Three classrooms constructed under the sculpture gallery
1869 Iron gates placed in the vestibule
1872 Two classrooms built above the rear of the lecture hall
1873 Fourth storey added to the Western wing
1883 School of Art building opened
1896 Sculpture gallery replaced by chemical laboratory
1898 New entrances made to lecture hall
1899 Dining room enlarged
1900-1 Corridors made in the western wing
1903-5 Present playgrounds acquired
School transferred to the City Council
1908 Third storey added to the eastern wing and south elevation embellished
1915-16 Organ, gymnasium and library presented
1929 Windows inserted in northern elevation
Thanks to Wally Owen who supplied this information.
According to John Missenden ... "the order of the columns' capitals is
Ionic (scrolls) as is that of the columns flanking the iron gates ... one idea
is that the Ionic order represents wisdom ... the Corinthian order (acanthus
leaves) was supposed to denote beauty.